That sums up what I have to say about these astonishing and beautiful trees. There are several different types of trees that produce a blood-red resin or sap, known colloquially as dragon’s blood–but it’ll look to Weeks fans like red luxin from the Atasifusta.
For those of you needing a refresher on the mythical tree from the Seven Satrapies, here’s a snippet from The Black Prism:
“…Each pillar was a full five paces thick— atasifusta, the widest trees in the world— and none narrowed perceptibly before reaching the ceiling. The wood was said to have been the gift of an Atashian king, five hundred years before. Even then it had been precious. Now they were extinct, the last grove cut down during the Prisms’ War.
“…What made the atasifusta unique was that its sap had properties like concentrated red luxin. The trees took a hundred years to reach full size— these giants had been several hundreds of years old when they’d been cut. But after they reached maturity, holes could be drilled in the trunk, and if the tree was large enough, the sap would drain slowly enough to feed flames. These eight giants each bore a hundred twenty-seven holes, the number apparently significant once, but that significance lost. On first look, it appeared that the trees were aflame, but the flame was constant and never consumed the wood, which was ghostly ivory white aside from the blackened soot smudges above each flame hole. Gavin knew that the flames couldn’t be truly eternal, but after allegedly burning day and night for five hundred years, these atasifustas’ flames gave little indication of going out anytime soon. Perhaps the flames nearer the top were a little duller than those lower as the sap settled in the wood, but Gavin wouldn’t have bet on it.
“When the wood wasn’t mature, it made incredible firewood. A bundle that a man could carry in his arms would warm a small hut all winter. No wonder it was extinct.”
So we have, in summary, three primary species of dragon’s blood/Atasifusta trees that exist today.
The Dracaena cinnabari tree, native to Socotra (an archipelago between Yemen and Somalia):
This variety, native to Socotra, has a fascinating past, and an uncertain future. Just like Brent’s Atasifusta, these stunning trees are being threatened by human intervention. National Geographic (objectively the best periodical ever) has published a compelling article about the island, and the trees.
And finally we have the Croton lechleri, or sangre de drago, found primarily in Ecuador and Peru:
. . .
It’s worth noting that sap from these trees has been used IRL for a long time as traditional medicine, as incense, and as a pigment; it is also sold by contemporary online retailers as ‘natural medicine.’ I found several images of trees that have endured scarring from humans collecting the resin.
It’s tough to say (at least for me) whether this is bad for the trees and/or harmful to their ecosystems at large. I mean, it looks pretty bad, right? But I also wrote this post while eating pancakes and maple syrup. So there’s that. We’d love to hear from anyone who knows more about these gorgeous plants!
Thanks for reading, everyone. Stay home and stay safe.
Greetings from the hermitage! In this edition of Real Life Fantasy, we’re taking a closer look at two contemporary machines that have some surprisingly Satrapied roots.
First we’re going to talk about the hardest working multitasker in your kitchen/dorm room, the microwave oven.
For most of us, microwaves are a fast, easy way to transform frozen comestibles into piping hot delectables. You put the dish in, push a couple buttons, wait for the pleasant *ding,* and viola! Dinner is served. Well, friends, we’re about to reveal the secret behind these magic boxes… It’s paryl luxin.
Yep, scientists found a way to harness the energy from chunks of paryl luxin to safely and effectively heat food. They acquire the luxin shards from archaeologists, who sell the fragments to microwave manufacturers in order to fund other less lucrative but ultimately more profound digs in the Mediterranean.
Second, we’re going to take a closer look at x-ray radiography, aka the x-ray machines used in medical offices and hospitals around the globe. The technology is remarkably similar to that of the microwave oven; a shard of chi luxin is activated electronically, the energy is projected through the object to be imaged, and the machine captures the chi ‘shadow’ onto an x-ray sensitive plate.
I always wondered why my radiologist called herself The Keeper. I guess that explains it!
For those of you who can still draft and/or see in the chi spectrum, you’ll note in the image below the tiny shard of chi luxin hovering ominously between the anode and the cathode in the tube. Shives me the givers, y’all.
That’s all for this time; we’ll be back next week for Fan Art Tuesday. Everyone stay healthy and safe out there–stay home as much as possible, and take care of yourselves and your loved ones.
We’ve been holding on to this bit of fan art for a while, so we could really highlight it’s awesomitude ( or fantabulousness, if you prefer). Author Ben Galley animated the cover of THE BURNING WHITE (it’s a 10-second video, so you’ll need to press play):
Galley sent us a GIF as well, but note that it’s lower res and doesn’t look quite as cool:
Thanks for bringing this beautiful color to life, Ben!
A lovely little town in Norway, nestled into a bucolic valley, is home to an array of giant mirrors that bring sunlight to its people for nearly half the calendar year. Without the array, Rjukan receives no natural sunlight from September to March!
Y’all sent us some stunning fan art! I know earlier I promised a mega-post with everyone’s entries, but there were just too many to put in one place. So I’m sharing some of our favorites here. Because I can.
Please note: SPOILERS abound for all Lightbringer books!
“New Ferrilux” by Nicole Wiekierak
“The Ex-Priest” by Jennifer Johnson
“Heresy” by Megan Steadman
“Turtle Bear” by Jessica Dugan
“Black Luxin” by Alli Ryan
“Hellstone Dagger” by Melissa Wallis
“Mist Walker” by Jan Pasik
“The Guile” by Thomas Bernfeld
“Samila Sayeh” by Wilma Jacobs
“Turtle Bear” by Andrew Pulis
“Multicolored Spectacles” by Jerris Heaton
It was an absolute joy to see each submission we received (including all the ones not featured here). Thank you to everyone who participated. It’s obvious that you all worked hard and put your hearts into your work. You each did a magnificent job!